Shoots 5K at 120fps in 16bit colour RAW. Creates a beautifully organic image and is perfect for commercials or narrative film. The only Red camera to offer a duel native ISO system for amazing lowlight performance.
The Movi Pro is the industry standard for professional gimbals. Strong enough for the Arri Alexa Mini, Red Weapon or Sony FS7 but still lightweight due to it’s complete carbon fibre design. It comes complete with Mimic for controlling the Movi remotely and a freefly wireless follow focus system.
These EF cine lenses are some of the quickest available. I own the 24mm T1.5, the 50mm T1.3 and the 85mm T1.3. They produce a warm flattering cinematic image and have electronic contacts on them so all lens data is sent to the camera.
I have had this camera for years and its never let me down. 4k 50fps and HD 180fps in 10bit colour XAVC-I codec. I can’t think of a better camera for documentaries and event work.
Dedolights are famous for being some of the most adaptable and reliable lights in the film industry. This kit includes 3 x DLH4 lights and a DP1 gobo projector.
The F&V Z800S is a powerful 2x1 panel light that can be set from 3200K to 5600K colour temperature. I also have a second F&V 1x1 panel along with many other LED lights and accessories.
A pdf of my full equipment list is available upon request.